حمد مالك, حمد مالك

German 2016 press.
Absolute cornerstone of the Habibi Funk catalogue. Algerian film music that feels miles ahead of its time. Sparse synths, tense melodies, odd rhythms and a constant sense of unease bubbling under the surface. Nothing flashy, everything purposeful. Feels like late night television, political weight, empty streets and half told stories. One of those records that quietly rewires how you think soundtrack music can work. Essential listening. Properly class. FFO Ahmed Malek, Hamed Malki, Charif Megarbane soundtrack work, Vangelis minimal moments, Middle Eastern library music, Italian crime soundtrack vibes