Russian 2023 press.
Japanese jazz-fusion from 1976 that’s as cosmic as the title suggests. Electric keys, free-flowing improv, and grooves that drift between spacey ambience and full-on freak-outs. It feels less like an album and more like a soundtrack to floating off the North Coast after too many cans.
FFO: Herbie Hancock lost in Shinjuku, Return to Forever with incense, synths that sound like UFOs, and anyone who thinks jazz should come with a warning for turbulence.
