2026 press. Red and Black Marble.
One of those records where every single song feels unfairly good. George Michael stepping out solo and immediately deciding he was going to dominate pop music for the foreseeable future. Big hooks, immaculate production, ridiculous confidence and somehow still soulful as hell underneath all the shine. From leather jacket swagger to heartbreak slow burners, Faith basically rewrote what a pop star album could sound like in the late 80s. Zero skips, pure class, and still sounds massive the second the needle drops.
FFO: Prince, Michael Jackson, Sade, Terence Trent D’Arby
