First press 2026
Late night Glasper mode. Loose jazz language, soul warmth and that blurred line between improv and groove he does better than anyone. It feels relaxed but never lazy, emotional without being soft. One of those records that works just as well in the background as it does when you sit and properly listen. Grown up, confident, class.
FFO
Floating Points jazz side, Yussef Dayes, Makaya McCraven, early BADBADNOTGOOD, Dilla instrumental moments
