Paul McCollough

US first press to vinyl 2018. Records play EX.Deep cut horror soundtrack excellence. Moody synths, creeping tension, and that unmistakable early 90s dread where everything feels slightly cold and wrong. This is atmosphere first music built to unsettle, linger, and quietly get under your skin rather than jump scare you every five minutes. Works perfectly with the film but honestly stands up on its own as a dark ambient listen. Lights low, volume up, nobody knocking on the door hopefully. Proper class.
FFO John Carpenter synth scores, Goblin darker moments, horror soundtracks that prioritise mood unease and slow burning tension